Plaster - 34.5H" x 27.5W" x 18.5D" Description: A chair accepts a man into itself. A woman accepts a man as well. Accepts him as he is, lifts him up, grants comfort and erotic excitement, inspires and supports him. But though this act of unconditional support, of complete self-sacrifice in the name of love, one can lose themselves.

Bronze - 6W x 15.5 H x 3.5 D Description: If we try to look at these common objects from an uncommon point of view (in other words, by associating them with gender), I think anyone would agree that the spoon is female and the fork is male, in form as well as essence.

Clay - 10.5" x 5" x 3.5"

Plaster - 16" x 9" x 9" Description: The union of two objects as one creates multiple meanings and connotations, and this sculpture is an example of that. The metaphor is simple and understandable. I am sure that the observer can sense the love and kind-hearted humor that I put into my work here.

Bronze - 15" x 8" x 1.5" Description: To notice a certain essence of an object, one that is not inherent to it, but present nonetheless and to highlight it - this is my task as an artist. By adding bodily elements to an object or placing a body within the framework of an object, I create my metaphor. In this case, "Woman - scissors". By combining the form of scissors with the form of a female body, the harmony of a new form is created. A new female image is created, with its own character. The inner side of the thigh is also the cutting surface of the scissors, which creates a certain degree of intrigue. Isn't that so? But let the viewer have his or her own associations and interpretations. The perception of art is a personal, subjective matter.

Plaster - 19" x 13" x 5" Description: The simplest geometric forms already contain femininity or masculinity. You just need to emphasize it a little, and thus awaken associative thinking.

Plaster - 85" x 38" x 16.5" Description: To notice a certain essence of an object, one that is not inherent to it, but present nonetheless and to highlight it - this is my task as an artist. By adding bodily elements to an object or placing a body within the framework of an object, I create my metaphor. In this case, "Woman - scissors". By combining the form of scissors with the form of a female body, the harmony of a new form is created. A new female image is created, with its own character. The inner side of the thigh is also the cutting surface of the scissors, which creates a certain degree of intrigue. Isn't that so? But let the viewer have his or her own associations and interpretations. The perception of art is a personal, subjective matter.

32" x 13.5" x 7.55" Description: If we try to look at these common objects from an uncommon point of view (in other words, by associating them with gender), I think anyone would agree that the spoon is female and the fork is male, in form as well as essence.

32" x 16" x 7.5" Description: Women are motivated to conquer the hearts of men. Do men go along with this?

31" x 15.5" x 10"

23" x 20.5" x 11.5" Description: This shoe is a part of a trilogy. It represents the relationship between a man and a woman and the relationship between a shoe and a hill. The higher a man stands, the more elegant and higher a woman rises. A man on his knees shortens the way the shoe looks. And finally, here is a man laying flat and squeezed by the shoe. At that moment the shoe is losing its elegance and sexuality.

98" x 38" x 20" Resin,Wood Description: An object that is selected for a sculptural composition allow us to create a metaphor, forming a part view of man and woman, and their relation to each other as seen from the outside from a large distance. Men and women are losing their individuality, turning into indistinguishable "worker ants". These are teeth of a zipper, joined or separated by an outside force.

24" x 14" x 4" Wood

Resin 42H 18.5W 18D Description: This is one of a large series of works, which is called "Man and Woman". The "humanizing" of objects allows me to create unique metaphors. The male lock locks into the female lock, and vice versa. This symbolizes a powerful connection. Each is inserting a part of themselves into the other, spiritually and otherwise; a sort of Yin and Yang of locks.

Plaster 23" x 13" x 13" Decription: The egg is one of the most ancient examples of a geometric shape that is organic in its origin. The egg is a symbol of life. There is also the concept of a philosophical egg, but that is a subject to be explored separately. I use this ideal form to create yet another metaphor about the larger overall theme - that of "Man and Woman." These are two completely identical eggs, one turned with the wide end up, the other turned with the narrow end up. This allows the transformation of one into a male torso and the other into a female torso. After all, we are so very similar, yet we remain different nonetheless.

9W 8.5H 2D

Bronze, Wood and Metal - 36" x 35" x 6.5" Description:In this sculpture, I use the well-known Chinese symbol, the Yin and Yang. I use it to create dialogue about man and woman, their connection, other connections, or lack of connections altogether. The sculpture presents 4 variations of the Yin and Yang, inside a rhombus. The "Yin and Yang" disc rotates clockwise. The "Yin and Yin" disc, as well as the "Yang and Yang" disc, rotates counterclockwise. The separate "Yin" and separate "Yang" are both static. The movement or lack thereof, and the direction of the movement, present a metaphor that I propose for consideration.

13.5W 13.5H 2.2D Description: In this sculpture, I use the well-known Chinese symbol, the Yin and Yang. I use it to create dialogue about woman and woman, their connection.

13.5W 13.5H 2.2D Description: In this sculpture, I use the well-known Chinese symbol, the Yin and Yang. I use it to create dialogue about man and woman, their connection.

13.5W 13.5H 2.2D Description: In this sculpture, I use the well-known Chinese symbol, the Yin and Yang. I use it to create dialogue about man and man, their connection.

40.5 W13.5 H2.2D Description: Shows a balance between two opposites with a portion of the opposite element in each section In this sculpture, I use the well-known Chinese symbol, the Yin and Yang. I use it to create dialogue about man and woman, woman and woman, man and man, their connection. The relief presents 3 variations of the Yin and Yang, inside a square.

Size 16H 25W 11.5D Description: This shoe is a part of a trilogy. It represents the relationship between a man and a woman and the relationship between a shoe and a hill. The higher a man stands, the more elegant and higher a woman rises. A man on his knees shortens the way the shoe looks. And finally, here is a man laying flat and squeezed by the shoe. At that moment the shoe is losing its elegance and sexuality.